Portfolio > Recognized Impossibility

The collected work created while a Jerome resident at the Highpoint Center for Printmaking, addresses the endlessness of modern warfare. Lundquist recontextualizes current newspaper headlines about the conflict in Afghanistan while expanding traditional printmaking techniques, such as lithography and etching, along with book and video works. Through a process of enlarging, altering, repeating and erasing, Lundquist complicates the intended message of his source materials, calling into question the ability to bring about an end to war.

Retrieval
stone lithography (on 21 twice folded sheets, each with 4 printed letters)
Approx. 10' x 7'
2017
detail of Retrieval
stone lithography (on 21 twice folded sheets, each with 4 printed letters)
each sheet is 13" x 19"
2017
Without Americans
polyester plate lithography, chine colle, etching
22" x 28"
2017
Regiment Plaques, Khyber Pass
Etching
22" x 28"
2017
Where Most Turn Back
Etching
22" x 28"
2017
Block in the Pass
polyester plate lithography, screenprinting
30” x 44”
2017
Touchstone
Etching
22" x 28"
2017
Conditional, after Lennon and Ono
blind embossed and watercolor monoprinted collagraphs
10' x 12' as installed
2017
Detail of Conditional
blind embossed and watercolor monoprinted collagraphs
2017
Detail of Conditional
blind embossed and watercolor monoprinted collagraphs
2017
Confidence to Sing
4 books printed by the artist using a photocopier, hymnal racks
each book is 9” x 12” bound
2017
Recognized Impossibility
Digital video - click to view
2017